Godard moves from his tame, romantic and intellectual phases to a wild one. 

Pierrot leaves his dull bourgeois life, traveling from Paris to the Mediterranean with Marianne, a young woman hunted by Algerian hit‑men. Constantly on the run, they adopt an unorthodox, restless existence, always evading danger.

Pierrot Le Fou presents Godard at his very best, bringing his signature political commentary, lyrical dialogue, and pathetic but lovable characters to a big screen run-away experience.

You can practically smell the sunburn and cigarettes wave across you as these two
fascinating protagonists navigate on-the-road situations which increase in ridiculousness as the run time runs very quickly on.

THEMATIC CONNECTION

One of the most inonic Bonnie & Clyde style duos emerging from French New Wave Cinema. 

Jean-Luc Godard has one of the most iconic auetur styles, filled with bright colours, bold characters, seemingly idotic choice after idiotic choice but carried by incredibly charistamtic leads - ending the French summer time odyssey with ridicule and beautiful seaside cliffs.